New Light Through Old Windows

It's hard to believe that it's seven years since I wrote any new posts on this Ashdown House blog. In the meantime, I've written five new dual-time books, raised several more guide dog puppies and dealt with lots of difficult family issues. However, I'm still (just about!) working at Ashdown House and finally, after many years of good intentions, I am writing a non-fiction book about the history of the house. 

During those seven years, so many people have told me how much they enjoyed the blog and found it so useful in discovering more about the Craven family, Ashdown House itself and the local history associated with it. It's been amazing to get such wonderful feedback! Perhaps, at the time, I thought that I had discovered everything I could about Ashdown and didn't have anything left to write about. How wrong I was. In the intervening years, I've studied the Craven papers in the Bodleian Library in Oxford and made many more astonishing finds. I've been to museums and records offices around the country and will continue to do so for my research, and I've had the amazing experience of cataloguing some of the original and previously-unseen Craven papers. All of this I'd like to share here with you as I have a passion for Ashdown House (no surprises there!) and love to share all the history bits that the official site doesn't mention. This blog is not affiliated to the National Trust in any way - they are the people who own and run Ashdown and organize the tours of the property. But this is the place where the magic happens <G!>

There are a number of other places where you can find out more about the history of the Craven family

and their historic homes including The Craven Society Facebook Page and Elizabeth Craven and her World, a blog run by Dr Julia Gaspar. You may also be interested in the Jane Austen side of the family at Kintbury and Beyond. As we go along I'll be including recommended books and places to visit for those discerning tourists who like to see all the famous sites but head off the beaten track as well for something different. And if you are a genealogist interested in Craven family history, please do get in touch as well.

I hope you will rejoin me in stepping into Ashdown's story once again for new light through old windows!

The Sotheby's Sale - Part 1

You may have noticed that the Ashdown House Blog has taken a six month sabbatical. Now we're back, and what better way to start the new season of blogs than with a selection of items from the recent Sotheby's sale of the contents of Ashdown House.

There were many fine paintings in the sale but one of particular interest was the Allegory of Love by Sir Peter Lely. This is thought to represent William Craven and Elizabeth of Bohemia. The Sotheby's catalogue gives the provenance of the painting as "by descent in the Craven family..." This begs the question of whether the painting was one of those bequeathed to William Craven by Elizabeth or whether he commissioned it originally. The date of the painting is not recorded in the catalogue.

An inventory of the paintings at Coombe Abbey in 1769 states that "an allegorical painting" was hanging in Lord Craven's dressing room. No such picture was listed in the 1866 catalogue of paintings at Coombe but a photograph from Ashdown dated 1913 shows it hanging on the stairs so it may have been transferred from one Craven property to the other at some point in its history.

If the picture does represent William Craven and Elizabeth then it sheds a very interesting light on their relationship, not least because it would be a contemporary reference to a romantic connection between the two of them. Craven was devoted to Elizabeth's service for over thirty years and was both a financial and an emotional support to her during the years of her exile and widowhood. He also provided a house for Elizabeth when she returned to London in 1661 and the diaries of Pepys and Evelyn record that they were seldom out of each other's company. There was some gossip about their relationship but no contemporary written reference to any marriage between them. The marriage was later spoken of as fact in the Craven family but there appears to be no evidence to support it. The painting is therefore both a clue and an enigma.